REIMAGINE: Bryanston Art & Design Exhibition 2025
145 artworks
The Dog, The Snake and The Frogs by teddy hansen
The Dog, The Snake and The Frogs by teddy hansen
101 / 145
By teddy hansen
Mixed Media on Canvas
h: 100 w: 100 d: 5 (cms).
(I have put the dimensions at 100 x 100cm to fit the requirements. But the real dimensions are: Unframed H - 130cm, W - 110 cm, D - 5cm. Framed H - 140cm, W - 120cm, D - 5cm.
£5450
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Ordo ad Chao I by Hannah Gauntlett BA (Hons)
Ordo ad Chao I by Hannah Gauntlett BA (Hons)
102 / 145
By Hannah Gauntlett BA (Hons)
collage, photographic hand transfer
h: 20 w: 20 d: 4 (cms).
I use a wide range of mixed media techniques; acrylic, photographic transfer, photography, collage and printmaking on various supports ranging from canvas, wood, to sheets of oxidized metal.? I use my photography to transform subjects into a dreamlike dimension where space, sound and time are segmented into pictoral planes. This new series is an interior /exterior potrayal of the Tuscan landscape.
£350
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Ordo ad Chao II by Hannah Gauntlett BA (Hons)
Ordo ad Chao II by Hannah Gauntlett BA (Hons)
103 / 145
By Hannah Gauntlett BA (Hons)
collage, photographic hand transfer
h: 20 w: 20 d: 4 (cms).
I use a wide range of mixed media techniques; acrylic, photographic transfer, photography, collage and printmaking on various supports ranging from canvas, wood, to sheets of oxidized metal.? I use my photography to transform subjects into a dreamlike dimension where space, sound and time are segmented into pictoral planes. This new series is an interior /exterior potrayal of the Tuscan landscape.
£350
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Ordo ad Chao III by Hannah Gauntlett BA (Hons)
Ordo ad Chao III by Hannah Gauntlett BA (Hons)
104 / 145
By Hannah Gauntlett BA (Hons)
collage, photographic hand transfer
h: 20 w: 20 d: 4 (cms).
I use a wide range of mixed media techniques; acrylic, photographic transfer, photography, collage and printmaking on various supports ranging from canvas, wood, to sheets of oxidized metal.? I use my photography to transform subjects into a dreamlike dimension where space, sound and time are segmented into pictoral planes. This new series is an interior /exterior potrayal of the Tuscan landscape.
£350
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Bryanston Equestrian by Annabel Eyres OLY
Bryanston Equestrian by Annabel Eyres OLY
105 / 145
By Annabel Eyres OLY
Paper cut and mixed media
h: 76 w: 56 d: 2 (cms).
An amalgamation of the Equestrian artwork produced for Paris 2024 with antique maps of Dorset behind the paper cut out of horses.
£950
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Paris Olympic Surfing by Annabel Eyres OLY
Paris Olympic Surfing by Annabel Eyres OLY
106 / 145
By Annabel Eyres OLY
Paper cut and mixed media
h: 76 w: 56 d: 2 (cms).
Olympic Surfing image exhibited in Paris during the 2024 Olympics as part of the Olympian Artist programme.
£950
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Unseen Unspoken by harriet ferris
Unseen Unspoken by harriet ferris
107 / 145
By harriet ferris
Ceramic
h: 25 w: 13 d: 15 (cms).
Unseen Unspoken is a figurative stoneware sculpture of a head and upper torso, finished with matt and satin glazes over black oxide detailing. Unseen Unspoken is a unique free standing sculpture with an uncanny nature.
£750
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Daedalus Instructing his Son by viv lawrence MA RCA
Daedalus Instructing his Son by viv lawrence MA RCA
108 / 145
By viv lawrence MA RCA
Digital print on hand made paper
h: 30 w: 21 d: 1 (cms).
A double exposure studio photograph taken on a Canon R5 camera on a tripod
£150
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The Companions by viv lawrence MA RCA
The Companions by viv lawrence MA RCA
109 / 145
By viv lawrence MA RCA
Digital print on hand made paper
h: 30 w: 21 d: 1 (cms).
A double exposure studio photograph taken on a Canon R5 on a tripod
£150
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The Grief by viv lawrence MA RCA
The Grief by viv lawrence MA RCA
110 / 145
By viv lawrence MA RCA
Digital print on hand made paper
h: 30 w: 21 d: 1 (cms).
A double exposure studio photograph taken on a Canon R5 camera on a tripod
£150
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Clearing Skies over Pentire Point by Tt Beauchamp
Clearing Skies over Pentire Point by Tt Beauchamp
111 / 145
By Tt Beauchamp
Acrylics and Oil
h: 59 w: 79 d: 4 (cms).
This original seascape is signed and painted on a 4 cm box frame canvas. I have used acrylics and oil to create textured layers, adding depth and dimension and the piece is varnished. It features teal-blue tones with subtle, nuanced hues, capturing the atmosphere and movement of the sea and sky at Polzeath Beach, North Cornwall, looking out to Pentire Point. Its teal-blue palette and textured layers give it a real presence and it measures 79.5 cm in width and 59 cm in height.
£400
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Running Wild by pookie blezard
Running Wild by pookie blezard
112 / 145
By pookie blezard
Oil on Canvas
h: 100 w: 76 d: 2 (cms).
Unframed
£1550
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Untitled by Tom Parker
Untitled by Tom Parker
113 / 145
By Tom Parker
Denim, wood, housepaint, oil, charcoal, screw hooks, twine
h: 100 w: 100 d: 20 (cms).
£750
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Lost At Sea by farley marsh
Lost At Sea by farley marsh
114 / 145
By farley marsh
Photo Print On Fujiflex High Gloss
h: 60 w: 90 d: 1 (cms).
This photograph captures a landscape caught between power and silence, and the meeting of the sea, the rocks, and the sky. alongside the destruction and harshness of time.
£500
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Still Water by arthur ponte
Still Water by arthur ponte
115 / 145
By arthur ponte
Photograph
h: 24 w: 24 d: 2 (cms).
£200
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The Final Act by James Hemsworth
The Final Act by James Hemsworth
116 / 145
By James Hemsworth
Oil painting, mixed with fabrics and other 3d elements
h: 100 w: 100 d: 10 (cms).
this piece brings forth light to showmanship within artwork whilst also exploring the breaking of Gender Norms with a cabaret influence
£450
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spring by eimii morioka
spring by eimii morioka
117 / 145
By eimii morioka
ceramics
h: 24 w: 28 d: 20 (cms).
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'Yes, let's go, [They do not move.]' by Jalila Bint Mohammed
'Yes, let's go, [They do not move.]' by Jalila Bint Mohammed
118 / 145
By Jalila Bint Mohammed
acrylic on board
h: 100 w: 100 d: 1 (cms).
“We have time to grow old. The air is full of our cries. But habit is a great deadener.” Samuel Beckett, Waiting for Godot
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'Those are pearls that were her eyes' by Jalila Bint Mohammed
'Those are pearls that were her eyes' by Jalila Bint Mohammed
119 / 145
By Jalila Bint Mohammed
acrylic on board
h: 100 w: 61 d: 1 (cms).
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17 Footer Yachts on Lake Windermere by antony duckett
17 Footer Yachts on Lake Windermere by antony duckett
120 / 145
By antony duckett
Watercolour
h: 30 w: 40 d: 2 (cms).
£230
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all dressed up and nowhere to go by madeleine benson
all dressed up and nowhere to go by madeleine benson
121 / 145
By madeleine benson
Oil painting
h: 41 w: 51 d: 2 (cms).
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Final Amoeba by jemima millard
Final Amoeba by jemima millard
122 / 145
By jemima millard
Clay
h: 7 w: 13 d: 7 (cms).
Clay sculpture inspired by cells
£150
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forgiveness by elizaveta leventsova
forgiveness by elizaveta leventsova
123 / 145
By elizaveta leventsova
watercolour
h: 42 w: 30 d: 1 (cms).
£150
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Emeli by jack dickson BA(Hons)
Emeli by jack dickson BA(Hons)
124 / 145
By jack dickson BA(Hons)
Pencil, collage, gesso, ink sterilising fluid and copper leaf on paper.
h: 40 w: 30 d: 1 (cms).
One of a series of mixed media pieces celebrating individuals from the African diaspora that have impacted my life in one way or another.
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Pink Dahlias by venetia syms
Pink Dahlias by venetia syms
125 / 145
By venetia syms
oil on linen
h: 100 w: 2 d: 100 (cms).
Still life - oil painting impasto sketch, August 2025.
£3500
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The Confused Clown by celia shaw BA(Hons)
The Confused Clown by celia shaw BA(Hons)
126 / 145
By celia shaw BA(Hons)
Ink and water colour pencil
h: 29 w: 21 d: 1 (cms).
Having finished his harmless act to a silent audience the confused clown is left scrambled with the lack of smiles cracked.
£700.00
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Bums out by celia shaw BA(Hons)
Bums out by celia shaw BA(Hons)
127 / 145
By celia shaw BA(Hons)
Ink and water colour pencils
h: 29 w: 42 d: 1 (cms).
Reminding the audience the art of harmless humour, through the universal act of a bum wiggle.
£800.00
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Prey by claudia quin
Prey by claudia quin
128 / 145
By claudia quin
Photography on 200gsm paper
h: 20 w: 30 d: 1 (cms).
A ragdoll and a wren in the Western Isles, captured in a fortuitous and comedic moment of perspective.
£150
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Snap by claudia quin
Snap by claudia quin
129 / 145
By claudia quin
Photography on 200gsm paper
h: 20 w: 30 d: 1 (cms).
An amateur photographer, reflecting in the Southbank Graffiti Tunnel.
£150
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Laura in the Corner Shop by claudia quin
Laura in the Corner Shop by claudia quin
130 / 145
By claudia quin
Photography on 200gsm paper
h: 20 w: 30 d: 1 (cms).
A snap on a night out capturing queer power and identity: a visceral kind of beauty in the fluorescent lighting of the corner shop illuminating a young trans woman at the end of an evening with friends. This picture aims to bring to light the continual perseverance of trans lives attempting to maintain normality, despite the chaos of the politics in the surrounding world and the amount of hate they receive on a daily basis.
£150
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REMEBERANCE OF THINGS PAST by jonathan gibbs
REMEBERANCE OF THINGS PAST by jonathan gibbs
131 / 145
By jonathan gibbs
Wood engraving
h: 15 w: 10 d: 1 (cms).
Engraved while teaching at the University of Edinburgh as a research collaboration with students and staff
£250
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TO THE JADE EMPEROR'S MOUNTAIN by jonathan gibbs
TO THE JADE EMPEROR'S MOUNTAIN by jonathan gibbs
132 / 145
By jonathan gibbs
Wood engraving
h: 5 w: 8 d: 1 (cms).
Engraved whilst on academic residency at the China Academy of Art, Hangzhou
£180
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SWIFTS by jonathan gibbs
SWIFTS by jonathan gibbs
133 / 145
By jonathan gibbs
Wood engraving
h: 9 w: 19 d: 1 (cms).
Chapter heading book illustration for Claxton, by Mark Cocker - one of five books by this writer for whom I have made wood engravings
£210
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Blue Moon by jago poynter
Blue Moon by jago poynter
134 / 145
By jago poynter
Ceramic
h: 55 w: 55 d: 55 (cms).
Large Moon Jar, cobalt blue glaze, stoneware
£1250
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Flowerbed by sophie smorczewski
Flowerbed by sophie smorczewski
135 / 145
By sophie smorczewski
Etching print on 300gsm Somerset white paper
h: 20 w: 30 d: 1 (cms).
5/8 and 8/8 etchings available. 5/8 is blue/black print using pressed oxeye daisies. 8/8 is blue/black etching.
£410
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Lent Drawing by anthony connolly PRP
Lent Drawing by anthony connolly PRP
136 / 145
By anthony connolly PRP
pencil
h: 30 w: 70 d: 1 (cms).
£3950
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Ichthyosaurus, Jurassic Coast by helen dean
Ichthyosaurus, Jurassic Coast by helen dean
137 / 145
By helen dean
Dip pen & Indian ink
h: 30 w: 36 d: 2 (cms).
£750
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male nude study for Achilles by Jack Ford
male nude study for Achilles by Jack Ford
138 / 145
By Jack Ford
Oil on Linen
h: 50 w: 40 d: 3 (cms).
traditional figure prepartory study for Achilles
£1750
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In the hands of history by sophie lewis
In the hands of history by sophie lewis
139 / 145
By sophie lewis
plaster
h: 25 w: 18 d: 18 (cms).
Hands holding books with falling words.
£520
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Christina by Jack Ford
Christina by Jack Ford
140 / 145
By Jack Ford
Oil on Linen
h: 60 w: 50 d: 3 (cms).
sight size portrait of Christina. painted from life over 4 sittings
£2000
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Elemental Mass Maquette by Philip Rae-Scott
Elemental Mass Maquette by Philip Rae-Scott
141 / 145
By Philip Rae-Scott
Cast bronze, patinated and waxed.
h: 99 w: 25 d: 25 (cms).
https://www.philiprae-scott.co.uk/sculpture/elemental-mass-maquette
£12500
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Un-Contained Maquette by Philip Rae-Scott
Un-Contained Maquette by Philip Rae-Scott
142 / 145
By Philip Rae-Scott
Welded, hand corrugated steel. Automotive epoxy spray paint finish.
h: 1 w: 1 d: 1 (cms).
https://www.philiprae-scott.co.uk/sculpture/un-contained-maquette Dimensions 5'8'' (1730mm) tall excluding plinth. 7’2’’ (2190mm) tall including plinth.
£14000
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Ethereal Mass Maquette by Philip Rae-Scott
Ethereal Mass Maquette by Philip Rae-Scott
143 / 145
By Philip Rae-Scott
Cast bronze, patinated and waxed.
h: 56 w: 25 d: 25 (cms).
https://www.philiprae-scott.co.uk/sculpture/ethereal-mass-maquette
£8500
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The Unfinished Portrait by farley marsh
The Unfinished Portrait by farley marsh
144 / 145
By farley marsh
Metallic Photo Print On Fuji Crystal Pearl
h: 50 w: 40 d: 1 (cms).
Layers of blurred strokes obscure and reveal a face suspended between presence and absence. The work explores fragility, memory, and identity - a portrait that resists completion, inviting the viewer to confront what is seen and what is concealed.
£300
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Pinch paper organiser by jack allfrey
Pinch paper organiser by jack allfrey
145 / 145
By jack allfrey
Oak, Vegetable tanned leather
h: 37 w: 11 d: 3 (cms).
Pinch is a wall-mounted paper organiser that highlights the interplay between the flexible and rigid qualities of vegetable- tanned leather. It’s simple yet sculptural design combines natural wood and leather, creating a warm and inviting aesthetic, ideal for any interior. The minimalist, subtle form provides a visually stable focal point, allowing displayed items—whether letters, postcards, or documents—to stand out and take centre stage, reducing paper clutter in an stylish and innovative way.
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