By Nick Power
Oil on canvas
h: 50 w: 40 d: 2 (cms).
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By alex relph BA(Hons)
mild steel, zinc and wax
h: 50 w: 35 d: 30 (cms).
£1650
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By Quentin Martin
Oil on canvas
h: 20 w: 20 d: 1 (cms).
£525
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By Joanna Humphries
Oil on Canvas
h: 34 w: 30 d: 3 (cms).
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By rufus martin
Plaster
h: 33 w: 35 d: 20 (cms).
This sculpture was made from life at a one-third scale. A careful depiction of a very interesting person the work is intended to reflect Albas relaxed beauty
£550
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By Hamish Holman
Fossilised Kilkenny Limestone
h: 90 w: 30 d: 12 (cms).
This is a handcarved stone sculpture. An elongated teardrop shape with four very thin sides that finish in a curved point at the top of the sculpture. It represents the delicacy and intricate smooth form of geometry that is a theme in my work , but carved from a hard limestone. Soft, smooth lines within a hard shell of form and material.
£6250
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By Tessa Eastman MA RCA, MRSS
Hand built, multiple glazed stoneware
h: 39 w: 30 d: 26 (cms).
A spiky stoneware sculpture covered in barium glaze, surmounted by a meshed 'barnacle' in red/black crawling glaze and a blue/orange 'pyrite baby cloud'.
£1380.00
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Zebra's bottom by Bryony Wingfield Digby BA(hons)
Zebra's bottom by Bryony Wingfield Digby BA(hons)
8 / 135
By Bryony Wingfield Digby BA(hons)
Monoprint using gelplates
h: 99 w: 71 d: 1 (cms).
A composite monoprint using 35 6x6inch gel plates.
£1100
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By Arabella Chapman
Oil and acrylic on paper
h: 62 w: 97 d: 2 (cms).
£980
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By harriet ferris
Ceramic
h: 25 w: 21 d: 14 (cms).
All Spent is a matt glazed stoneware sculpture and is an accumulation of many life sketches. I always have a sketch book with me and like to grab the opportunity to draw someone asleep, it could be a family member or stranger opposite me on the train. The figure has been purposefully glazed in thin layers which follow the contours of the face as if it has been drained of all energy. I have spent my whole life making things and have enjoyed a long career in jewellery since graduating from Central Saint Martins in the late 80’s. For the past four years though, I have been playing with clay, getting to know its strengths and limitations and gradually finding my path. My work has become a vehicle with which I can explore what it is to be human. Through my sculptures I hope to invite a personal response; to glimpse a moment in time, a memory, a feeling. I find great joy in the creative process, clays wonderfully versatile qualities let me get my ideas down quickly allowing instinct to take over. This close physical relationship with the material has been enlightening and I have been surprised at the ease with which it empowers me. These sculptures are a way of revealing and sharing my sensitivities to a life of lived experiences.
£950
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By sarah rogers
Oil on canvas board
h: 45 w: 60 d: 1 (cms).
I aim to capture the joy of being immersed in the Cornish landscape, sitting on the smooth warm rocks, contrasting the transient reflective calm of the pools with the vigour of the incoming tide.
£890
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By dan wansell BA(Hons), MFA
Photographs
h: 20 w: 34 d: 2 (cms).
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By katherine xulu
Screen print
h: 33 w: 50 d: 1 (cms).
Screen print using photo-sensitive emulsion stencils and paper stencils layered over each other. I use acrylic paints thinned with a screen printing base medium. I like to play with mis-registration of my prints. It has become a theme of my work. I like not being bound to the constraints of perfectness. Life isn’t perfect. This image is inspired by trapeze artists in the circus. They are performing a dangerous manoeuvre where the male acrobat is catching the female trapeze artist if they mis-time she will fall. The image is from a real photo. The tiger is a carousel tiger and the paper cut out moon behind has an over lay of a chart of fate and horoscopes. This picture for me represents relationships and the fragility of life, love and fate and the need to trust others. It is an imaginary world reflecting real life situations we experience in life.
£180.00
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By Tom Parker
Charcoal and gum tape on paper
h: 85 w: 58 d: 1 (cms).
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By rups cregeen
Sand-Cast Bronze
h: 30 w: 15 d: 15 (cms).
Two urchin-like forms designed to exist together - two halves of a whole. Whilst they can operate independently from each other, they are in a symbiotic relationship, mutually beneficial to the other. They can be displayed together, or separately, touching or untouching. Verdigris Patina on Solid Bronze
£2200
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By yage guo
Prints of drawings, hand stitched art book
h: 31 w: 22 d: 2 (cms).
Art book "The Moth Disturbs The Night" is a drawing book generate a series of fantastical narrative drawings. Each character is experiencing their unique moment during a full moon night.
£200
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By Hannah Gauntlett BA (Hons)
hand applied photographic transfer on wood
h: 27 w: 20 d: 4 (cms).
Time Past is part of my Frail flowers Series inspired by a piece of music for piano by György Kurtág a Hungarian classical composer and pianist "Frail Flowers we are, Frail flowers" , (2010). This series of urban plant portraits are visual poems, using my own photography, then transferred by hand onto resin and wood.
£650
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By Gideon Fraser
Casting resin, inkjet and dye sublimation printing
h: 84 w: 56 d: 2 (cms).
Generated by random numbers, this figure consists of 20 separate cast resin regions of varying elevations. The embedded textures are sourced from common phenomena randomly coloured.
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By James Evans BA (Hons)
Fine Art Print
h: 80 w: 45 d: 1 (cms).
The weathered walkway, a solitary line of humanity's presence juts out into the Oceans Radiance. Its path is a bridge between worlds, connecting the solid, timeless cliffs with the ever-changing, shimmering sea. Patches of sunlight dance on the water's surface, casting a radiant glow upon the ocean's depths. A chance to ponder the harmonious coexistence of the constructed and natural world. This was taken in Coron, Philippines.
£500
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Flow Sweet River Flow by Jane Swan MA Fine Art
Flow Sweet River Flow by Jane Swan MA Fine Art
20 / 135
By Jane Swan MA Fine Art
Acrylic and powdered slate
h: 135 w: 150 d: 3 (cms).
Painting is on a stretcher no framing required
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By stephen codner
mixed media
h: 36 w: 46 d: 1 (cms).
£600
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By Mark Corfield Corfield
Watercolour on polypropylene paper
h: 60 w: 70 d: 1 (cms).
Mark Corfield discovered this innovative approach using plastic paper and watercolours means there is no intereaction between the substrate and the medium. The pigment, paper and water being the elements that are the bridge between Corfield and nature. Leading principles in his work are colour, edges, fluidity, texture light and depth, but more importantly he is trying to abstract natural concepts, to realize the power of simplicity. Allowing the the pigments to behave naturally unhampered, chemically and physically, thus forming a collaboration with between the artist and the elements. He feels that a work should say something and be connected to a basic need in all of us to find, in an almost primeval way, a link with our roots to the earth; a higher sense of connection to something bigger than ourselves.
£525.00
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By Nicola Powell-Smith
Ink on yupo paper
h: 21 w: 30 d: 1 (cms).
£145
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By Jo Burchell BA(Hons)
Copper
h: 34 w: 34 d: 12 (cms).
Braised copper and shadows, set in a private stage.
£850
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By Hannah Watts
Paper Collage in hand painted frame
h: 49 w: 39 d: 1 (cms).
£250
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By bess harding
Oil on canvas board
h: 26 w: 26 d: 1 (cms).
£375
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By simon latham
Lime wood, acrylic paint
h: 115 w: 31 d: 24 (cms).
£4600
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By viv lawrence MA RCA
Digital print
h: 42 w: 30 d: 1 (cms).
Printed on Washi (ivory) paper
£165
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By Jude Piriou BA(hons)
Acrylic , pastels and inks on canvas
h: 80 w: 55 d: 3 (cms).
An imaginatory floral scene
£180
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By Nina Brooke BAHons
acrylic on canvas
h: 100 w: 150 d: 5 (cms).
Aerial Seascape
£7000
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By Philip Rae-Scott
Every single part from an 1899 Singer sewing machine, eco epoxy resin.
h: 150 w: 45 d: 24 (cms).
"Finding a working but obsolete Singer sewing machine in a junk shop for just £1, I felt compelled to expose its exquisitely engineered components, to champion mankind’s resourcefulness and inventiveness, whilst damning our wasteful culture. A project spanning a decade, ‘All This For a Stitch’ is the most risky sculpture I have made. Pouring resin at this scale without cracking or discolouration is beyond the rule books, and more likely to fail than succeed. After months of careful preparation, testing, much research, and with luck on my side, the pour worked perfectly. Furthermore, eliminating the ‘witness mark’ between pours took months of rumination, conversation and trials to overcome." Please note the actual size is 195 high x 45 x 24cm. The maximum allowed Imagine sculpture dimensions of 150 x 150 x 150cm equal a massive cubic volume of 3.375 M3. The volume of 'All This For a Stitch' is a tiny 0.21 M3 thanks to its small footprint. I hope that despite its height, you will forgive me for including it in my application for your consideration. Full details can be seen here https://www.philiprae-scott.co.uk/sculpture/all-this-for-a-stitch . Please note - if this sculpture did sell at Imagine, I may need to include a caveat allowing me to borrow it for 1 week in mid September 2024 for an exhibition at The Serpentine Gallery in London. This would be at my expense, fully insured, and from past experience customers are generally flattered to lend their artworks for exhibition to increase provenance.
£32000
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By Clive London BA(Hons)
Oil on board
h: 61 w: 61 d: 1 (cms).
£850
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By william mather
Oil on canvas
h: 120 w: 50 d: 5 (cms).
Plein-air near Inverness, two successive visits Oct/Nov '23
£850.00
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By Rouffy
acrylic
h: 100 w: 100 d: 1 (cms).
acrylic on canevas
£400
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Gender Perceptions in the Boardroom by chris hensher
Gender Perceptions in the Boardroom by chris hensher
35 / 135
By chris hensher
Gouache with collage
h: 47 w: 62 d: 1 (cms).
£880
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By lucy portman
Oil, Wax
h: 80 w: 60 d: 3 (cms).
£1100
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By jane shaw
Bronze
h: 70 w: 40 d: 40 (cms).
Limited edition
£6500
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By Oli Tennent
Giclee Print
h: 50 w: 50 d: 1 (cms).
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By Skye Tholstrup
collage
h: 15 w: 23 d: 1 (cms).
A collage exploring body modification and human enhancements, specifically thinking about what changes people would make to themselves if anything was possible.
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text me when you get home by Prinn Vajrabhaya
text me when you get home by Prinn Vajrabhaya
40 / 135
By Prinn Vajrabhaya
print on paper
h: 70 w: 50 d: 1 (cms).
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By Lucy Steggals
h: 20 w: 25 d: 1 (cms).
This is a series of 8x prints I can show one or a a selection. To see the rest I have included a link in the Media URL Section.
£120
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By sophie smorczewski
Charcoal on paper
h: 30 w: 42 d: 1 (cms).
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By Jack Ford
Oil on wood
h: 130 w: 20 d: 1 (cms).
Broadly painted this panel originally conceived as a pair (Other still in progress) depicts the story of Leda and Swan (Zeus) from ancient Greek mythology
£1200
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By jonathan gibbs
Wood Engraving
h: 10 w: 90 d: 1 (cms).
Engraved on a maple wood block and printed by hand-burnishing onto Arakaji Japanese paper
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By hannah linfoot
Oil paint
h: 40 w: 30 d: 4 (cms).
Oil on canvas
£550
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The Trees Are Talking by fenella evans BA(Hons)
The Trees Are Talking by fenella evans BA(Hons)
46 / 135
By fenella evans BA(Hons)
Oil & Gesso on Canvas
h: 132 w: 150 d: 3 (cms).
£2500
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By Ellie Hayward BA ( Hons)
Aquatint Etching and Embossing
h: 86 w: 116 d: 1 (cms).
This piece is a large Aquatint Etching on an embossed Copper Plate
£2100
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By Annabel Eyres OLY
Paper cut and mixed media
h: 28 w: 28 d: 1 (cms).
Original painting but can be reproduced with a different background.
£350
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By poppy thomas
Knitted and crochet yarn with stuffing and rice
h: 30 w: 15 d: 15 (cms).
£150
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By yarik vorobiov
Digital C-Type
h: 20 w: 15 d: 1 (cms).
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By Wawa Yang
Painting
h: 50 w: 50 d: 1 (cms).
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By Venetia Syms
Painting
h: 1 w: 1 d: 1 (cms).
£4850
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By Tristan Lanphere
linoprint
h: 1 w: 1 d: 1 (cms).
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By Toby Vaughan-Payne
Direct positive fibre based silver gelatine print
h: 15 w: 12 d: 1 (cms).
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By Tiana Tsang
Mixed Media
h: 50 w: 70 d: 1 (cms).
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By Tara Boylan
pen
h: 1 w: 1 d: 1 (cms).
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By tabitha baird
collage on Board
h: 50 w: 50 d: 1 (cms).
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By Sophie Wang
painting
h: 50 w: 50 d: 1 (cms).
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By Seb Mulders
Digital C-Type on Kodak Metallic
h: 45 w: 30 d: 1 (cms).
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By Scarlett De Pelet
ceramic
h: 40 w: 21 d: 1 (cms).
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By saskia cierach
Terracotta clay
h: 40 w: 30 d: 15 (cms).
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By Sandy Ostroumoff
Ceramic
h: 1 w: 1 d: 1 (cms).
£60
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By Samantha Wang
Digital drawing
h: 65 w: 30 d: 1 (cms).
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By Rosie Straker
Digital C-Type
h: 40 w: 30 d: 1 (cms).
£100
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By Richard Batterham
ceramic
h: 40 w: 20 d: 1 (cms).
Bottle with chattered shoulder & ash glaze
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By Ophelia Norman
Digital C-Type
h: 33 w: 25 d: 1 (cms).
£150
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By Nick Tsang
Oil and Photo Collage on Canvas
h: 15 w: 40 d: 1 (cms).
£300
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By Myles Anniss
Acrylic on Canvas
h: 30 w: 25 d: 1 (cms).
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By Ming Yu Ren
Mixed Media
h: 140 w: 130 d: 1 (cms).
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By Mick Paley
Spray paint and Oil Paint on canvas
h: 60 w: 45 d: 1 (cms).
£200
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By Margo Ireland
Ceramic tiles and mixed media
h: 100 w: 70 d: 10 (cms).
£300
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By Mara Holt
photography
h: 1 w: 1 d: 1 (cms).
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By Maddie Benson
painting
h: 90 w: 62 d: 1 (cms).
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By Lynn Yang
painting
h: 1 w: 1 d: 1 (cms).
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By lila tillyard
Glazed Stoneware
h: 13 w: 60 d: 1 (cms).
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By Libby Smith
mixed
h: 25 w: 20 d: 8 (cms).
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By Leslie Cai
painting
h: 30 w: 30 d: 1 (cms).
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By Leo Cooke
drawing
h: 90 w: 110 d: 1 (cms).
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By Lea Peattie
painting
h: 65 w: 50 d: 1 (cms).
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By Joey Green
Oil on canvas
h: 1 w: 1 d: 1 (cms).
£300
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By jessica anderson
oil on board
h: 50 w: 40 d: 1 (cms).
£220
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The man that sweeps the chimneys by Jess Strover
The man that sweeps the chimneys by Jess Strover
82 / 135
By Jess Strover
Oil on Paper
h: 70 w: 60 d: 1 (cms).
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By Jemima Anderson
oil on board
h: 1 w: 1 d: 1 (cms).
£900
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By James Hemsworth
painting
h: 60 w: 40 d: 1 (cms).
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The Dear Touch of Time by Jalila Bint Mohammed
The Dear Touch of Time by Jalila Bint Mohammed
85 / 135
By Jalila Bint Mohammed
mixed
h: 12 w: 90 d: 1 (cms).
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By Jago Poynter
Stoneware/terracotta, Dorset ash glaze (Batteram’s ash)
h: 1 w: 1 d: 1 (cms).
£595
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By Isis Allison
painting
h: 60 w: 40 d: 1 (cms).
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By Herbie Hiscox
ceramic
h: 15 w: 12 d: 1 (cms).
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By Helly Von Roon
Textiles
h: 70 w: 70 d: 1 (cms).
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By Harvey Fletcher
Digital C Type
h: 1 w: 1 d: 1 (cms).
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By Giselle Fuller
painting
h: 75 w: 60 d: 1 (cms).
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By Georgie Orgill
drawing
h: 1 w: 1 d: 1 (cms).
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By Finty Valdes-Scott
Charcoal
h: 80 w: 96 d: 1 (cms).
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By Ferdinand Von Ondarza
Acrylic on Paper
h: 24 w: 10 d: 1 (cms).
£75
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By Farley marsh
photography
h: 12 w: 10 d: 1 (cms).
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By Ethel Short
Pen and Ink
h: 30 w: 40 d: 1 (cms).
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By Eloise Morrison
painting
h: 40 w: 40 d: 1 (cms).
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By Ellen Yorke Lindlay
painting
h: 70 w: 100 d: 8 (cms).
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By Elinor Gilbert
Oil on paper
h: 45 w: 35 d: 1 (cms).
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By Eleanor Bott
painting
h: 1 w: 1 d: 1 (cms).
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