IMAGINE: the Bryanston Art Exhibition 2024
All Artwork
135 artworks
Eddie by Nick Power
Eddie by Nick Power
1 / 135
By Nick Power
Oil on canvas
h: 50 w: 40 d: 2 (cms).
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Integrate by alex relph BA(Hons)
Integrate by alex relph BA(Hons)
2 / 135
By alex relph BA(Hons)
mild steel, zinc and wax
h: 50 w: 35 d: 30 (cms).
£1650
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Stand Alone by Quentin Martin
Stand Alone by Quentin Martin
3 / 135
By Quentin Martin
Oil on canvas
h: 20 w: 20 d: 1 (cms).
£525
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Son by Joanna Humphries
Son by Joanna Humphries
4 / 135
By Joanna Humphries
Oil on Canvas
h: 34 w: 30 d: 3 (cms).
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Alba by rufus martin
Alba by rufus martin
5 / 135
By rufus martin
Plaster
h: 33 w: 35 d: 20 (cms).
This sculpture was made from life at a one-third scale. A careful depiction of a very interesting person the work is intended to reflect Albas relaxed beauty
£550
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Maja by Hamish Holman
Maja by Hamish Holman
6 / 135
By Hamish Holman
Fossilised Kilkenny Limestone
h: 90 w: 30 d: 12 (cms).
This is a handcarved stone sculpture. An elongated teardrop shape with four very thin sides that finish in a curved point at the top of the sculpture. It represents the delicacy and intricate smooth form of geometry that is a theme in my work , but carved from a hard limestone. Soft, smooth lines within a hard shell of form and material.
£6250
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Shark Attack by Tessa Eastman MA RCA, MRSS
Shark Attack by Tessa Eastman MA RCA, MRSS
7 / 135
By Tessa Eastman MA RCA, MRSS
Hand built, multiple glazed stoneware
h: 39 w: 30 d: 26 (cms).
A spiky stoneware sculpture covered in barium glaze, surmounted by a meshed 'barnacle' in red/black crawling glaze and a blue/orange 'pyrite baby cloud'.
£1380.00
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Zebra's bottom by Bryony Wingfield Digby BA(hons)
Zebra's bottom by Bryony Wingfield Digby BA(hons)
8 / 135
By Bryony Wingfield Digby BA(hons)
Monoprint using gelplates
h: 99 w: 71 d: 1 (cms).
A composite monoprint using 35 6x6inch gel plates.
£1100
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Costume by Arabella Chapman
Costume by Arabella Chapman
9 / 135
By Arabella Chapman
Oil and acrylic on paper
h: 62 w: 97 d: 2 (cms).
£980
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All Spent by harriet ferris
All Spent by harriet ferris
10 / 135
By harriet ferris
Ceramic
h: 25 w: 21 d: 14 (cms).
All Spent is a matt glazed stoneware sculpture and is an accumulation of many life sketches. I always have a sketch book with me and like to grab the opportunity to draw someone asleep, it could be a family member or stranger opposite me on the train. The figure has been purposefully glazed in thin layers which follow the contours of the face as if it has been drained of all energy. I have spent my whole life making things and have enjoyed a long career in jewellery since graduating from Central Saint Martins in the late 80’s. For the past four years though, I have been playing with clay, getting to know its strengths and limitations and gradually finding my path. My work has become a vehicle with which I can explore what it is to be human. Through my sculptures I hope to invite a personal response; to glimpse a moment in time, a memory, a feeling. I find great joy in the creative process, clays wonderfully versatile qualities let me get my ideas down quickly allowing instinct to take over. This close physical relationship with the material has been enlightening and I have been surprised at the ease with which it empowers me. These sculptures are a way of revealing and sharing my sensitivities to a life of lived experiences.
£950
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Trebetherick Tide by sarah rogers
Trebetherick Tide by sarah rogers
11 / 135
By sarah rogers
Oil on canvas board
h: 45 w: 60 d: 1 (cms).
I aim to capture the joy of being immersed in the Cornish landscape, sitting on the smooth warm rocks, contrasting the transient reflective calm of the pools with the vigour of the incoming tide.
£890
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Evening Light by dan wansell BA(Hons), MFA
Evening Light by dan wansell BA(Hons), MFA
12 / 135
By dan wansell BA(Hons), MFA
Photographs
h: 20 w: 34 d: 2 (cms).
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Tiger by katherine xulu
Tiger by katherine xulu
13 / 135
By katherine xulu
Screen print
h: 33 w: 50 d: 1 (cms).
Screen print using photo-sensitive emulsion stencils and paper stencils layered over each other. I use acrylic paints thinned with a screen printing base medium. I like to play with mis-registration of my prints. It has become a theme of my work. I like not being bound to the constraints of perfectness. Life isn’t perfect. This image is inspired by trapeze artists in the circus. They are performing a dangerous manoeuvre where the male acrobat is catching the female trapeze artist if they mis-time she will fall. The image is from a real photo. The tiger is a carousel tiger and the paper cut out moon behind has an over lay of a chart of fate and horoscopes. This picture for me represents relationships and the fragility of life, love and fate and the need to trust others. It is an imaginary world reflecting real life situations we experience in life.
£180.00
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Faron by Tom Parker
Faron by Tom Parker
14 / 135
By Tom Parker
Charcoal and gum tape on paper
h: 85 w: 58 d: 1 (cms).
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Critter by rups cregeen
Critter by rups cregeen
15 / 135
By rups cregeen
Sand-Cast Bronze
h: 30 w: 15 d: 15 (cms).
Two urchin-like forms designed to exist together - two halves of a whole. Whilst they can operate independently from each other, they are in a symbiotic relationship, mutually beneficial to the other. They can be displayed together, or separately, touching or untouching. Verdigris Patina on Solid Bronze
£2200
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The Moth Disturbs The Night by yage guo
The Moth Disturbs The Night by yage guo
16 / 135
By yage guo
Prints of drawings, hand stitched art book
h: 31 w: 22 d: 2 (cms).
Art book "The Moth Disturbs The Night" is a drawing book generate a series of fantastical narrative drawings. Each character is experiencing their unique moment during a full moon night.
£200
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Time Past by Hannah Gauntlett BA (Hons)
Time Past by Hannah Gauntlett BA (Hons)
17 / 135
By Hannah Gauntlett BA (Hons)
hand applied photographic transfer on wood
h: 27 w: 20 d: 4 (cms).
Time Past is part of my Frail flowers Series inspired by a piece of music for piano by György Kurtág a Hungarian classical composer and pianist "Frail Flowers we are, Frail flowers" , (2010). This series of urban plant portraits are visual poems, using my own photography, then transferred by hand onto resin and wood.
£650
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Khala by Gideon Fraser
Khala by Gideon Fraser
18 / 135
By Gideon Fraser
Casting resin, inkjet and dye sublimation printing
h: 84 w: 56 d: 2 (cms).
Generated by random numbers, this figure consists of 20 separate cast resin regions of varying elevations. The embedded textures are sourced from common phenomena randomly coloured.
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Ocean Radiance by James Evans BA (Hons)
Ocean Radiance by James Evans BA (Hons)
19 / 135
By James Evans BA (Hons)
Fine Art Print
h: 80 w: 45 d: 1 (cms).
The weathered walkway, a solitary line of humanity's presence juts out into the Oceans Radiance. Its path is a bridge between worlds, connecting the solid, timeless cliffs with the ever-changing, shimmering sea. Patches of sunlight dance on the water's surface, casting a radiant glow upon the ocean's depths. A chance to ponder the harmonious coexistence of the constructed and natural world. This was taken in Coron, Philippines.
£500
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Flow Sweet River Flow by Jane Swan MA Fine Art
Flow Sweet River Flow by Jane Swan MA Fine Art
20 / 135
By Jane Swan MA Fine Art
Acrylic and powdered slate
h: 135 w: 150 d: 3 (cms).
Painting is on a stretcher no framing required
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The Edge of Eternity by stephen codner
The Edge of Eternity by stephen codner
21 / 135
By stephen codner
mixed media
h: 36 w: 46 d: 1 (cms).
£600
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Dreamscape by Mark Corfield Corfield
Dreamscape by Mark Corfield Corfield
22 / 135
By Mark Corfield Corfield
Watercolour on polypropylene paper
h: 60 w: 70 d: 1 (cms).
Mark Corfield discovered this innovative approach using plastic paper and watercolours means there is no intereaction between the substrate and the medium. The pigment, paper and water being the elements that are the bridge between Corfield and nature. Leading principles in his work are colour, edges, fluidity, texture light and depth, but more importantly he is trying to abstract natural concepts, to realize the power of simplicity. Allowing the the pigments to behave naturally unhampered, chemically and physically, thus forming a collaboration with between the artist and the elements. He feels that a work should say something and be connected to a basic need in all of us to find, in an almost primeval way, a link with our roots to the earth; a higher sense of connection to something bigger than ourselves.
£525.00
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Seascape with cliff by Nicola Powell-Smith
Seascape with cliff by Nicola Powell-Smith
23 / 135
By Nicola Powell-Smith
Ink on yupo paper
h: 21 w: 30 d: 1 (cms).
£145
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Pointe 2 by Jo Burchell BA(Hons)
Pointe 2 by Jo Burchell BA(Hons)
24 / 135
By Jo Burchell BA(Hons)
Copper
h: 34 w: 34 d: 12 (cms).
Braised copper and shadows, set in a private stage.
£850
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Pomegranate Suzani by Hannah Watts
Pomegranate Suzani by Hannah Watts
25 / 135
By Hannah Watts
Paper Collage in hand painted frame
h: 49 w: 39 d: 1 (cms).
£250
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Porto Rose by bess harding
Porto Rose by bess harding
26 / 135
By bess harding
Oil on canvas board
h: 26 w: 26 d: 1 (cms).
£375
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wrapped figure by simon latham
wrapped figure by simon latham
27 / 135
By simon latham
Lime wood, acrylic paint
h: 115 w: 31 d: 24 (cms).
£4600
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Icarus by viv lawrence MA RCA
Icarus by viv lawrence MA RCA
28 / 135
By viv lawrence MA RCA
Digital print
h: 42 w: 30 d: 1 (cms).
Printed on Washi (ivory) paper
£165
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Octopus' garden by Jude Piriou BA(hons)
Octopus' garden by Jude Piriou BA(hons)
29 / 135
By Jude Piriou BA(hons)
Acrylic , pastels and inks on canvas
h: 80 w: 55 d: 3 (cms).
An imaginatory floral scene
£180
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untitled by Nina Brooke BAHons
untitled by Nina Brooke BAHons
30 / 135
By Nina Brooke BAHons
acrylic on canvas
h: 100 w: 150 d: 5 (cms).
Aerial Seascape
£7000
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All This For a Stitch by Philip Rae-Scott
All This For a Stitch by Philip Rae-Scott
31 / 135
By Philip Rae-Scott
Every single part from an 1899 Singer sewing machine, eco epoxy resin.
h: 150 w: 45 d: 24 (cms).
"Finding a working but obsolete Singer sewing machine in a junk shop for just £1, I felt compelled to expose its exquisitely engineered components, to champion mankind’s resourcefulness and inventiveness, whilst damning our wasteful culture. A project spanning a decade, ‘All This For a Stitch’ is the most risky sculpture I have made. Pouring resin at this scale without cracking or discolouration is beyond the rule books, and more likely to fail than succeed. After months of careful preparation, testing, much research, and with luck on my side, the pour worked perfectly. Furthermore, eliminating the ‘witness mark’ between pours took months of rumination, conversation and trials to overcome." Please note the actual size is 195 high x 45 x 24cm. The maximum allowed Imagine sculpture dimensions of 150 x 150 x 150cm equal a massive cubic volume of 3.375 M3. The volume of 'All This For a Stitch' is a tiny 0.21 M3 thanks to its small footprint. I hope that despite its height, you will forgive me for including it in my application for your consideration. Full details can be seen here https://www.philiprae-scott.co.uk/sculpture/all-this-for-a-stitch . Please note - if this sculpture did sell at Imagine, I may need to include a caveat allowing me to borrow it for 1 week in mid September 2024 for an exhibition at The Serpentine Gallery in London. This would be at my expense, fully insured, and from past experience customers are generally flattered to lend their artworks for exhibition to increase provenance.
£32000
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Colour swirl by Clive London BA(Hons)
Colour swirl by Clive London BA(Hons)
32 / 135
By Clive London BA(Hons)
Oil on board
h: 61 w: 61 d: 1 (cms).
£850
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Tall Trees, Redcastle by william mather
Tall Trees, Redcastle by william mather
33 / 135
By william mather
Oil on canvas
h: 120 w: 50 d: 5 (cms).
Plein-air near Inverness, two successive visits Oct/Nov '23
£850.00
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number 3 by Rouffy
number 3 by Rouffy
34 / 135
By Rouffy
acrylic
h: 100 w: 100 d: 1 (cms).
acrylic on canevas
£400
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Gender Perceptions in the Boardroom by chris hensher
Gender Perceptions in the Boardroom by chris hensher
35 / 135
By chris hensher
Gouache with collage
h: 47 w: 62 d: 1 (cms).
£880
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Bedruthen Steps I by lucy portman
Bedruthen Steps I by lucy portman
36 / 135
By lucy portman
Oil, Wax
h: 80 w: 60 d: 3 (cms).
£1100
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'Love to Live' - Boxing Hares by jane shaw
'Love to Live' - Boxing Hares by jane shaw
37 / 135
By jane shaw
Bronze
h: 70 w: 40 d: 40 (cms).
Limited edition
£6500
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Yacht 3 by Oli Tennent
Yacht 3 by Oli Tennent
38 / 135
By Oli Tennent
Giclee Print
h: 50 w: 50 d: 1 (cms).
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Harpies by Skye Tholstrup
Harpies by Skye Tholstrup
39 / 135
By Skye Tholstrup
collage
h: 15 w: 23 d: 1 (cms).
A collage exploring body modification and human enhancements, specifically thinking about what changes people would make to themselves if anything was possible.
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text me when you get home by Prinn Vajrabhaya
text me when you get home by Prinn Vajrabhaya
40 / 135
By Prinn Vajrabhaya
print on paper
h: 70 w: 50 d: 1 (cms).
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Blue Ribbon 1 of 8 by Lucy Steggals
Blue Ribbon 1 of 8 by Lucy Steggals
41 / 135
By Lucy Steggals
h: 20 w: 25 d: 1 (cms).
This is a series of 8x prints I can show one or a a selection. To see the rest I have included a link in the Media URL Section.
£120
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The Tender Kind by sophie smorczewski
The Tender Kind by sophie smorczewski
42 / 135
By sophie smorczewski
Charcoal on paper
h: 30 w: 42 d: 1 (cms).
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Leda and the swan by Jack Ford
Leda and the swan by Jack Ford
43 / 135
By Jack Ford
Oil on wood
h: 130 w: 20 d: 1 (cms).
Broadly painted this panel originally conceived as a pair (Other still in progress) depicts the story of Leda and Swan (Zeus) from ancient Greek mythology
£1200
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BIRD BOOK by jonathan gibbs
BIRD BOOK by jonathan gibbs
44 / 135
By jonathan gibbs
Wood Engraving
h: 10 w: 90 d: 1 (cms).
Engraved on a maple wood block and printed by hand-burnishing onto Arakaji Japanese paper
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Flowers on the Bath by hannah linfoot
Flowers on the Bath by hannah linfoot
45 / 135
By hannah linfoot
Oil paint
h: 40 w: 30 d: 4 (cms).
Oil on canvas
£550
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The Trees Are Talking by fenella evans BA(Hons)
The Trees Are Talking by fenella evans BA(Hons)
46 / 135
By fenella evans BA(Hons)
Oil & Gesso on Canvas
h: 132 w: 150 d: 3 (cms).
£2500
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Over and Under by Ellie Hayward BA ( Hons)
Over and Under by Ellie Hayward BA ( Hons)
47 / 135
By Ellie Hayward BA ( Hons)
Aquatint Etching and Embossing
h: 86 w: 116 d: 1 (cms).
This piece is a large Aquatint Etching on an embossed Copper Plate
£2100
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Swimming in lanes by Annabel Eyres OLY
Swimming in lanes by Annabel Eyres OLY
48 / 135
By Annabel Eyres OLY
Paper cut and mixed media
h: 28 w: 28 d: 1 (cms).
Original painting but can be reproduced with a different background.
£350
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Thing One by poppy thomas
Thing One by poppy thomas
49 / 135
By poppy thomas
Knitted and crochet yarn with stuffing and rice
h: 30 w: 15 d: 15 (cms).
£150
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Equipoise by yarik vorobiov
Equipoise by yarik vorobiov
50 / 135
By yarik vorobiov
Digital C-Type
h: 20 w: 15 d: 1 (cms).
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Untitled by Wawa Yang
Untitled by Wawa Yang
51 / 135
By Wawa Yang
Painting
h: 50 w: 50 d: 1 (cms).
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Water Lily Dream by Venetia Syms
Water Lily Dream by Venetia Syms
52 / 135
By Venetia Syms
Painting
h: 1 w: 1 d: 1 (cms).
£4850
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linoprint by Tristan Lanphere
linoprint by Tristan Lanphere
53 / 135
By Tristan Lanphere
linoprint
h: 1 w: 1 d: 1 (cms).
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Immortality by Toby Vaughan-Payne
Immortality by Toby Vaughan-Payne
54 / 135
By Toby Vaughan-Payne
Direct positive fibre based silver gelatine print
h: 15 w: 12 d: 1 (cms).
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Top of the class by Tiana Tsang
Top of the class by Tiana Tsang
55 / 135
By Tiana Tsang
Mixed Media
h: 50 w: 70 d: 1 (cms).
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Tara Boylan by Tara Boylan
Tara Boylan by Tara Boylan
56 / 135
By Tara Boylan
pen
h: 1 w: 1 d: 1 (cms).
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Coco by tabitha baird
Coco by tabitha baird
57 / 135
By tabitha baird
collage on Board
h: 50 w: 50 d: 1 (cms).
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Still Life by Sophie Wang
Still Life by Sophie Wang
58 / 135
By Sophie Wang
painting
h: 50 w: 50 d: 1 (cms).
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Time by Seb Mulders
Time by Seb Mulders
59 / 135
By Seb Mulders
Digital C-Type on Kodak Metallic
h: 45 w: 30 d: 1 (cms).
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Molten Black by Scarlett De Pelet
Molten Black by Scarlett De Pelet
60 / 135
By Scarlett De Pelet
ceramic
h: 40 w: 21 d: 1 (cms).
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Why won't you let me sleep by saskia cierach
Why won't you let me sleep by saskia cierach
61 / 135
By saskia cierach
Terracotta clay
h: 40 w: 30 d: 15 (cms).
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Funnels by Sandy Ostroumoff
Funnels by Sandy Ostroumoff
62 / 135
By Sandy Ostroumoff
Ceramic
h: 1 w: 1 d: 1 (cms).
£60
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Impression by Samantha Wang
Impression by Samantha Wang
63 / 135
By Samantha Wang
Digital drawing
h: 65 w: 30 d: 1 (cms).
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Hair wrapping by Rosie Straker
Hair wrapping by Rosie Straker
64 / 135
By Rosie Straker
Digital C-Type
h: 40 w: 30 d: 1 (cms).
£100
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Batterham by Richard Batterham
Batterham by Richard Batterham
65 / 135
By Richard Batterham
ceramic
h: 40 w: 20 d: 1 (cms).
Bottle with chattered shoulder & ash glaze
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Concealment by Ophelia Norman
Concealment by Ophelia Norman
66 / 135
By Ophelia Norman
Digital C-Type
h: 33 w: 25 d: 1 (cms).
£150
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Void by Nick Tsang
Void by Nick Tsang
67 / 135
By Nick Tsang
Oil and Photo Collage on Canvas
h: 15 w: 40 d: 1 (cms).
£300
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Lonesome crossing by Myles Anniss
Lonesome crossing by Myles Anniss
68 / 135
By Myles Anniss
Acrylic on Canvas
h: 30 w: 25 d: 1 (cms).
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The Wondering by Ming Yu Ren
The Wondering by Ming Yu Ren
69 / 135
By Ming Yu Ren
Mixed Media
h: 140 w: 130 d: 1 (cms).
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Cas is dead by Mick Paley
Cas is dead by Mick Paley
70 / 135
By Mick Paley
Spray paint and Oil Paint on canvas
h: 60 w: 45 d: 1 (cms).
£200
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Zellij by Margo Ireland
Zellij by Margo Ireland
71 / 135
By Margo Ireland
Ceramic tiles and mixed media
h: 100 w: 70 d: 10 (cms).
£300
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Mara Holt by Mara Holt
Mara Holt by Mara Holt
72 / 135
By Mara Holt
photography
h: 1 w: 1 d: 1 (cms).
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Celia by Maddie Benson
Celia by Maddie Benson
73 / 135
By Maddie Benson
painting
h: 90 w: 62 d: 1 (cms).
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MINE by Lynn Yang
MINE by Lynn Yang
74 / 135
By Lynn Yang
painting
h: 1 w: 1 d: 1 (cms).
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Napoleon by lila tillyard
Napoleon by lila tillyard
75 / 135
By lila tillyard
Glazed Stoneware
h: 13 w: 60 d: 1 (cms).
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Overdose by Libby Smith
Overdose by Libby Smith
76 / 135
By Libby Smith
mixed
h: 25 w: 20 d: 8 (cms).
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Untitled by Leslie Cai
Untitled by Leslie Cai
77 / 135
By Leslie Cai
painting
h: 30 w: 30 d: 1 (cms).
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Stourhead by Leo Cooke
Stourhead by Leo Cooke
78 / 135
By Leo Cooke
drawing
h: 90 w: 110 d: 1 (cms).
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Ethel by Lea Peattie
Ethel by Lea Peattie
79 / 135
By Lea Peattie
painting
h: 65 w: 50 d: 1 (cms).
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White Blanket by Joey Green
White Blanket by Joey Green
80 / 135
By Joey Green
Oil on canvas
h: 1 w: 1 d: 1 (cms).
£300
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Hydrangeas by jessica anderson
Hydrangeas by jessica anderson
81 / 135
By jessica anderson
oil on board
h: 50 w: 40 d: 1 (cms).
£220
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The man that sweeps the chimneys by Jess Strover
The man that sweeps the chimneys by Jess Strover
82 / 135
By Jess Strover
Oil on Paper
h: 70 w: 60 d: 1 (cms).
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Jemima Anderson by Jemima Anderson
Jemima Anderson by Jemima Anderson
83 / 135
By Jemima Anderson
oil on board
h: 1 w: 1 d: 1 (cms).
£900
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Untitled by James Hemsworth
Untitled by James Hemsworth
84 / 135
By James Hemsworth
painting
h: 60 w: 40 d: 1 (cms).
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The Dear Touch of Time by Jalila Bint Mohammed
The Dear Touch of Time by Jalila Bint Mohammed
85 / 135
By Jalila Bint Mohammed
mixed
h: 12 w: 90 d: 1 (cms).
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Jago poynter by Jago Poynter
Jago poynter by Jago Poynter
86 / 135
By Jago Poynter
Stoneware/terracotta, Dorset ash glaze (Batteram’s ash)
h: 1 w: 1 d: 1 (cms).
£595
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Mother of the Sun by Isis Allison
Mother of the Sun by Isis Allison
87 / 135
By Isis Allison
painting
h: 60 w: 40 d: 1 (cms).
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Herbie Hiscox by Herbie Hiscox
Herbie Hiscox by Herbie Hiscox
88 / 135
By Herbie Hiscox
ceramic
h: 15 w: 12 d: 1 (cms).
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Mum on the Tube by Helly Von Roon
Mum on the Tube by Helly Von Roon
89 / 135
By Helly Von Roon
Textiles
h: 70 w: 70 d: 1 (cms).
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Untitled by Harvey Fletcher
Untitled by Harvey Fletcher
90 / 135
By Harvey Fletcher
Digital C Type
h: 1 w: 1 d: 1 (cms).
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In a daze by Giselle Fuller
In a daze by Giselle Fuller
91 / 135
By Giselle Fuller
painting
h: 75 w: 60 d: 1 (cms).
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Georgie Orgill by Georgie Orgill
Georgie Orgill by Georgie Orgill
92 / 135
By Georgie Orgill
drawing
h: 1 w: 1 d: 1 (cms).
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Escape over Water by Finty Valdes-Scott
Escape over Water by Finty Valdes-Scott
93 / 135
By Finty Valdes-Scott
Charcoal
h: 80 w: 96 d: 1 (cms).
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Buntes Hochhaus by Ferdinand Von Ondarza
Buntes Hochhaus by Ferdinand Von Ondarza
94 / 135
By Ferdinand Von Ondarza
Acrylic on Paper
h: 24 w: 10 d: 1 (cms).
£75
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Farley Marsh by Farley marsh
Farley Marsh by Farley marsh
95 / 135
By Farley marsh
photography
h: 12 w: 10 d: 1 (cms).
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Laketown by Ethel Short
Laketown by Ethel Short
96 / 135
By Ethel Short
Pen and Ink
h: 30 w: 40 d: 1 (cms).
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Sad Woman by Eloise Morrison
Sad Woman by Eloise Morrison
97 / 135
By Eloise Morrison
painting
h: 40 w: 40 d: 1 (cms).
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City Night Lights by Ellen Yorke Lindlay
City Night Lights by Ellen Yorke Lindlay
98 / 135
By Ellen Yorke Lindlay
painting
h: 70 w: 100 d: 8 (cms).
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Self portrait by Elinor Gilbert
Self portrait by Elinor Gilbert
99 / 135
By Elinor Gilbert
Oil on paper
h: 45 w: 35 d: 1 (cms).
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Eleanor Bott by Eleanor Bott
Eleanor Bott by Eleanor Bott
100 / 135
By Eleanor Bott
painting
h: 1 w: 1 d: 1 (cms).
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